Visit the Los Angeles studio of renowned artist Charles Gaines

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The courtyard includes an olive grove and a fountain.

“There was an existing brick building and a small annex structure, but it turned into a pretty big intervention,” says Tolkin. “We redid the volumes, cleaned things up and built the connection, which is now the conference room.”

The results are spacious and flooded with natural light, thanks to the northern exposure and existing skylights.

The main space has been cheekily nicknamed the “Great Hall” because it reminds Gaines of a large space in a royal palace. The Drawing Room is a “clean” enclosed space for the production of works on paper, which must be isolated due to the delicacy of the materials and the precision of the production. Other spaces include a conference room, gallery, offices, and upstairs a separate space for Gaines, something he hasn’t had since the early days of his career.

A painting by Caroline Kent hangs in the conference room.

Choose color palettes for tree paintings.

The gallery in particular quickly became an integral part of his practice. “I can now hang my work in an open space and sit and live with the pieces,” explains the artist. “My work is system-based and I don’t live with my works while they’re being produced. You only see fragments up to a point where everything comes together. So I needed a place where I could spend some time living unhindered.

The artist’s archives can now be kept on site as well. “Before, I didn’t know where anything was! Gaines shares with a smile. “There is now access because everything is organized. The Hauser & Wirth team considers it an archaeological discovery, as the discovery of a lost civilization!

The finishing touches have just been made earlier this year: a grove of olive trees and a fountain in the inner courtyard. “I wanted to simulate a Mediterranean garden,” says Gaines, who enlisted landscape designer Wade Graham to help make that vision a reality. Graham notes that “since it is in the historic LA River bed and in an old area of ​​vineyards and orchards, there was excellent soil under the concrete for the olive trees to thrive.” In this new environment, they – and the artist – certainly did.


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